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Harmonic materials in tonal music : a programed course / revised by Greg A. Steinke, based on materials originally created by Paul O. Harder.

By: Contributor(s): Material type: TextTextPublication details: Upper Saddle River, NJ : Pearson Education/Prentice Hall, c2010.Edition: 10th edDescription: 2 v. : ill. ; 28 cmISBN:
  • 9780205629756 (alk. paper : pt. 2)
  • 020562975X (alk. paper : pt. 2)
  • 0205629717 (alk. paper : pt. 1)
  • 9780205629718 (alk. paper : pt. 1)
Subject(s): LOC classification:
  • MT50 .H26 2010
Online resources:
Contents:
Pt. 1. Some definitions -- The structure of tonality -- Triads in root position : doubling and spacing -- Triads in root position : voice leading -- Triads in first and second inversion -- Introduction to seventh chords and the dominant seventh -- Phrase structure and cadences -- Nonharmonic tones -- Harmonic progression -- The technique of harmonization -- Pt. 2. A review of seventh chords and the dominant seventh -- Nondominant seventh chords -- Altered nonharmonic tones and secondary dominants -- Modulation to closely related keys -- Borrowed chords -- Augmented sixth chords -- The neapolitan sixth, altered dominants, and diminished seventh chords -- Chromatic third-relation harmony -- Modulation to foreign keys : part 1 -- Modulation to foreign keys : part 2 -- Ninth, eleventh, and thirteenth chords.
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Includes bibliographical references (pt. 1, p. 379-384; pt. 2, p. 371-376) and indexes.

Pt. 1. Some definitions -- The structure of tonality -- Triads in root position : doubling and spacing -- Triads in root position : voice leading -- Triads in first and second inversion -- Introduction to seventh chords and the dominant seventh -- Phrase structure and cadences -- Nonharmonic tones -- Harmonic progression -- The technique of harmonization -- Pt. 2. A review of seventh chords and the dominant seventh -- Nondominant seventh chords -- Altered nonharmonic tones and secondary dominants -- Modulation to closely related keys -- Borrowed chords -- Augmented sixth chords -- The neapolitan sixth, altered dominants, and diminished seventh chords -- Chromatic third-relation harmony -- Modulation to foreign keys : part 1 -- Modulation to foreign keys : part 2 -- Ninth, eleventh, and thirteenth chords.

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